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DeForest Kelley, Dr. "Bones" McCoy of Star Trek Dies
by Elaine Woo, Times
June 11, 1999
DeForest Kelley, who played the irascible but wise Dr. Leonard
"Bones" McCoy in the "Star Trek" television series and movies, died
Friday at the Motion Picture and Television Fund hospital in Woodland
Hills. He was 79.
Kelley entered the convalescent home three months ago and died
after a lingering illness, said A.C. Lyles, a longtime producer
at Paramount Studios, where the original series was shot. Kelley's
wife Carolyn, who was recuperating from a broken leg in the home,
was by his side when he died.
Kelley was a supporting actor of film, stage and television for
20 years before landing the showcase role on what would become a
cult science fiction series.
"Star Trek," which aired on NBC from 1966 to 1969, was director
Gene Roddenberry's saga of the starship U.S.S. Enterprise, a 23rd-century
spacecraft with a mission to study unexplored worlds and transport
supplies to Earth colonies in space.
On the Enterprise's motley crew, Kelley was the resident surgeon,
diagnostician and humanist, the perfect foil for the coldly logical
Mr. Spock played by Leonard Nimoy and the macho Capt. James Kirk
played by William Shatner.
"He was one of a kind, a great friend and a very important part
of a collection of personalities," Nimoy said Friday. "He had the
humanist point of view in the show. It fit him very well. He brought
a decency and sensibility that made you want to have him around."
The son of a Baptist minister, Kelley was born in 1920 in Atlanta,
Ga., where he sang in the church choir. He left Atlanta after high
school to visit an uncle in Long Beach, Calif. and joined a theater
group.
In the mid 1940s he was discovered by a Paramount talent scout
who saw him in a Navy training film. The scout offered him a screen
test and later a contract. He made his film debut as a man who may
have committed murder while under hypnosis in a 1947 film noir called
"Fear in the Night," which showcased Kelly's distinctive arched
eyebrows and occasional wild-eyed expressions.
He appeared in several more films before moving to New York, where
he worked in theater and in early television anthology dramas such
as the "Schlitz Playhouse of Stars.
He returned to Hollywood in 1955 to resume his film work, appearing
in director Sam Fuller's "House of Bamboo" and "Tension at Table
Rock." He had a slight Southern drawl and weathered countenance
that he parlayed into roles as ranchers, townfolk and minor villains
in westerns such as "Gunfight at the OK Corral" in 1956.
In 1960 he landed more television roles, including the lead in
a pilot written and produced by Roddenberry. Although Roddenberry
later cast another actor, Edmond O'Brien, in the series "Sam Benedict,"
he did not forget about Kelley.
He was not a fan of science fiction. But when Roddenberry invited
him to a screening of the original pilot for "Star Trek," which
starred Jeffrey Hunter, he did not turn him down.
After the screening, Roddenberry said, "Well, cowboy, what did
you think?" Kelley replied, "Gene, that will be the biggest hit
or the biggest miss ever."
Over lunch in the studio commissary, Roddenberry offered him a
choice of two roles, one of which he described as "this green-painted
alien."
Kelley chose the other role. "I'm glad it turned out that way,"
he told the Chicago Tribune some years ago, "because I wouldn't
have been anywhere near Leonard [Nimoy]. He's been marvelous."
Although his character often clashed with Nimoy's half-breed Vulcan,
the two were united in loyalty to Shatner's Kirk. He was often beamed
down to hostile spots in the galaxy along with the other members
of the show's holy trinity, but was most at home in the high-tech
dispensary onboard the Enterprise.
McCoy's sarcasm endeared him to fans. So did his trademark lines:
"I'm just a country doctor" uttered when faced with some ghastly
outer-space malady, and "He's dead, Jim."
Few could have predicted the extraordinary longevity of the Star
Trek craze. The original television series, first telecast on Sept.
8, 1966, was a ratings failure. It routinely lost in its time period.
At its peak in the 1966-67, it still ranked 52 among all series,
behind such programs as "Iron Horse" and "Mr. Terrific." NBC cancelled
the show in 1969.
But a legion of Star Trek fanatics lobbied fiercely to return
the program to network television. It achieved cult status in the
1970s and succeeded in reruns. Annual Star Trek conventions were
held in the U.S. and abroad. An animated version ran on NBC from
1973 to 1975, with original cast members, including Kelley, supplying
the voices.
Kelley developed his own loyal following over the years, welcomed
by "Trekkies" at confabs around the world. In 1989, the year Paramount
released "Star Trek V: The Final Frontier he received a star on
the Hollywood Walk of Fame.
He reprised the role of McCoy in all seven Star Treks movies made
with Shatner and Nimoy, beginning with "Star Trek: The Motion Picture"
in 1979 and ending with "Star Trek: Generations" in 1994.
(A new generation of Enterprise officers were featured in the
1996 release, "Star Trek: First Contact," which starred Patrick
Stewart and Jonathan Frakes.)
Most of the movies were roundly panned, and the endless sequels
became targets for late-night television show jokes. The last in
the series fared best at the box office, grossing $70 million.
After a while, Kelley came to dread the critics' words.
"The one thing I always dread about critics' reviews of the 'Star
Trek' movies is they first review us," Kelley said in 1991, when
"Star Trek VI: The Undiscovered Country" was released. "We've
heard it a hundred times, that Bill's getting fat and I'm looking
like death." At the time, Kelley was 71, Shatner and Nimoy both
60.
Kelley is survived by his wife of 55 years, Carolyn.
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